Giannoutakis, K. (2025). Transduction in Action: Live Coding from a Simondonian Perspective. In Proceedings of the International Conference on Live Coding (ICLC). Barcelona, Spain. (Peer-reviewed).
Anastasopoulou, P., Zannos, I., Diapoulis, G., Agiomyrgianakis, V., & Giannoutakis, K. (Z2025). TOPLAP Athens: A networked live coding community. In Proceedings of the International Conference on Live Coding (ICLC). Barcelona, Spain. (Peer-reviewed).
Giannoutakis, K. (2024). Live Coding the Collective: Reimagining Experimental Music Practices through Technics of Decentralization [Doctoral dissertation]. Rensselaer Polytechnic Institute.
Giannoutakis, K. “Decentralized Transindividual Collaborative Experimental Musicking” In Decentralised Music Exploring Blockchain for Artistic Research, edited by Paulo De Assis and Adam Lukawski, CRC Press, Taylor & Francis Group, 2024.
Giannoutakis, K., and Juarez, A. “Aesthetic Encounters with Liquefied Digitality” In xCoAx 2023: 10th Conference on Computation, Communication, Aesthetics & X, Weimar, Germany, 2023 (peer-reviewed).
Giannoutakis, K., and Vasquez, J.C. “Collaborative Electroacoustic Music Composition on the Blockchain” In Proceedings of the International Computer Music Conference (ICMC), University of Limerick, Ireland, 2022 (peer-reviewed).
Inclusion of artworks in “Ludified Band 1: Artistic Research in Audiovisual Composition, Performance & Perception / Band 2: Game Elements in Marko Ciciliani’s Audiovisual Works”. Germany: Green Box, 2021.
Giannoutakis, K. “Exploring Visualization Methods of the Dynamic Behaviors in Computer-based Musical Works.” In From Xenakis’s UPIC to Graphic Notation Today, edited by Sharon E. Kanach, Ludger Brümmer, and Peter Weibel, Germany: ZKM, 2020.
Various instrumental compositions published at BabelScores – Contemporary Music.